Jean-Philippe Rameau, Janne Valkeajoki's 'Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5 (Arr. for Accordion by Janne Valkeajoki): II. Courante' came out on January 26, 2024. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Rameau: Pièces de clavecin avec une méthode (Arr. for Accordion by Janne Valkeajoki)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5 (Arr. for Accordion by Janne Valkeajoki): II. Courante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5 (Arr. for Accordion by Janne Valkeajoki): II. Courante by Jean-Philippe Rameau, Janne Valkeajoki having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Dardanus / Prologue: Air pour les Plaisirs (Très vif) | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D Major | 2 | 10B | 125 BPM | ||
Harpsichord Concerto No. 1 in F Major, Wq43/1: II. Andante | Carl Philipp Emanuel Bach, Claudio Astronio, Stefano Molardi | E Minor | 1 | 9A | 132 BPM | ||
Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: IV. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Hippolyte et Aricie / Act 1: "Temple sacré, séjour tranquille" | Jean-Philippe Rameau, Véronique Gens, Jean-Paul Fouchécourt, Les Musiciens du Louvre, Marc Minkowski | C Major | 0 | 8B | 50 BPM | ||
Keyboard Sonata in A Minor, Kk. 36 | Domenico Scarlatti, Riccardo Natale | F♯ Minor | 2 | 11A | 110 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 20, Cíaccona (Transcr. for Solo Violin and Chamber Orchestra) | Tarquinio Merula, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Telemann / Arr. Veyron-Lacroix: Flute Sonata in A Major, TWV 41:A3: I. Adagio | Georg Philipp Telemann, Jean-Pierre Rampal, Robert Veyron-Lacroix | C Major | 3 | 8B | 198 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM | ||
Quartet No. 1: II. Lento | Jacques Georges Charles Duvernoy, Italian Classical Consort, Luigi Magistrelli | B♭ Major | 0 | 6B | 99 BPM |
Section: 0.6674284934997559
End: 0.6706056594848633