Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, José van Dam, Kathleen Battle's 'Così fan tutte, Act 2, Scene 3: Recitativo: Come tutto conguira a sedurre il mio cor! (Fiordiligi/Despina/Don Alfonso/Guglielmo)' came out on August 2, 2013. With Così fan tutte, Act 2, Scene 3: Recitativo: Come tutto conguira a sedurre il mio cor! (Fiordiligi/Despina/Don Alfonso/Guglielmo) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 3 out of 214. Così fan tutte, Act 2, Scene 3: Recitativo: Come tutto conguira a sedurre il mio cor! (Fiordiligi/Despina/Don Alfonso/Guglielmo) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, Act 2, Scene 3: Recitativo: Come tutto conguira a sedurre il mio cor! (Fiordiligi/Despina/Don Alfonso/Guglielmo) by Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, José van Dam, Kathleen Battle to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Symphony No. 101 In D Major, Hob.I:101 - "The Clock": 2. Andante | Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado | D♭ Major | 0 | 3B | 74 BPM | ||
Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | ||
Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Concerto en la majeur pour clarinette, Kv 622: Adagio | Wolfgang Amadeus Mozart, Orchestre de Bretagne, Stefan Sanderling, François Leleux, Pascal Moraguès | D Major | 0 | 10B | 73 BPM |
Section: 0.6489524841308594
End: 0.6529028415679932