Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, Kathleen Battle, Agnes Baltsa's 'Così fan tutte, Act 2, Scene 1: Recitativo: Andate là, che siete due bizzarre ragazze! (Despina/Fiordiligi/Dorabella)' came out on August 2, 2013. The duration of Così fan tutte, Act 2, Scene 1: Recitativo: Andate là, che siete due bizzarre ragazze! (Despina/Fiordiligi/Dorabella) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Così fan tutte, Act 2, Scene 1: Recitativo: Andate là, che siete due bizzarre ragazze! (Despina/Fiordiligi/Dorabella)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 5 out of 214. Based on our statistics, Così fan tutte, Act 2, Scene 1: Recitativo: Andate là, che siete due bizzarre ragazze! (Despina/Fiordiligi/Dorabella)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, Act 2, Scene 1: Recitativo: Andate là, che siete due bizzarre ragazze! (Despina/Fiordiligi/Dorabella) by Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, Kathleen Battle, Agnes Baltsa to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker | E♭ Major | 2 | 5B | 77 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM |
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