Francesco Cavalli, Emmanuelle Haïm, Le Concert d'Astrée's 'Cavalli: L'Egisto, favola dramatica musicale, Act 2 Scene 1: Recitativo ed Aria,"D'Hipparco e di Climene ospiti miei" (Egisto)' came out on September 15, 2008. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 'Lamenti', so we believe that "Cavalli: L'Egisto, favola dramatica musicale, Act 2 Scene 1: Recitativo ed Aria,"D'Hipparco e di Climene ospiti miei" (Egisto)" is a single. Cavalli: L'Egisto, favola dramatica musicale, Act 2 Scene 1: Recitativo ed Aria,"D'Hipparco e di Climene ospiti miei" (Egisto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli: L'Egisto, favola dramatica musicale, Act 2 Scene 1: Recitativo ed Aria,"D'Hipparco e di Climene ospiti miei" (Egisto) by Francesco Cavalli, Emmanuelle Haïm, Le Concert d'Astrée is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalli: Statira, principessa di Persia, Act 2: "All'armi, mio core" (Brimonte) | Francesco Cavalli, Philippe Jaroussky | F Major | 4 | 7B | 79 BPM | ||
Couplets de folies (Arr. Horsch for Recorder & Lute) | Marin Marais, Lucie Horsch, Thomas Dunford | E♭ Minor | 1 | 2A | 84 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": VIII. Sicut erat in principio (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 1 | 3B | 93 BPM | ||
Xerse, Act I Scenes 13-15: Queste vittorie - Che fate, ahimè? - Ah principessa - Live | Francesco Cavalli, Carlo Vistoli, Ekaterina Protsenko, Nicolo Donini, Orchestra Barocca Modo Antiquo, Federico Maria Sardelli | A Minor | 2 | 8A | 106 BPM | ||
12 Sonatas, Op. 16, Sonata prima: I. Allegro | Isabella Leonarda, Cappella Strumentale del Duomo di Novara | E♭ Minor | 1 | 2A | 115 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Sonata D major | Georg Muffat, John Holloway, Aloysia Assenbaum-Holloway, Lars Ulrik Mortensen | D♭ Major | 2 | 3B | 109 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM |
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