"Drowning by Numbers: Sheep ‘N’ Tides" by Michael Nyman, Valentina Lisitsa was released on January 1, 2014. The duration of Drowning by Numbers: Sheep ‘N’ Tides is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Drowning by Numbers: Sheep ‘N’ Tides's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 25 in Chasing Pianos - The Piano Music Of Michael Nyman by Michael Nyman, Valentina Lisitsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Drowning by Numbers: Sheep ‘N’ Tides is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Drowning by Numbers: Sheep ‘N’ Tides by Michael Nyman, Valentina Lisitsa is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
The Time Curve Preludes: No. 1 | William Duckworth, Marielle Labèque | A♭ Major | 4 | 4B | 110 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Nicholas Angelich | E♭ Major | 0 | 5B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Debussy: Preludes, Book 1, L. 117: II. Voiles | Claude Debussy, Fazıl Say | E♭ Major | 0 | 5B | 133 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM |
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