"La Boutique Fantasque: Mazurka" by Ottorino Respighi, Israel Philharmonic Orchestra, Sir Georg Solti was released on 1957. With this song being about 5 minutes long, at 5:23, "La Boutique Fantasque: Mazurka" by Ottorino Respighi, Israel Philharmonic Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 45 in the song's album "Solti At The Ballet". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Boutique Fantasque: Mazurka's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Boutique Fantasque: Mazurka by Ottorino Respighi, Israel Philharmonic Orchestra, Sir Georg Solti having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
La primavera, P. 136: Invocazione | Ottorino Respighi, Miroslav Dvorský, Richard Haan, Vladimir Kubovcik, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | D♭ Major | 2 | 3B | 84 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Ancient Airs And Dances, Suite No. 1, P. 109: IV. Passo mezzo e Mascherada | Ottorino Respighi, Orpheus Chamber Orchestra | D Major | 2 | 10B | 117 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM |
Section: 0.7127189636230469
End: 0.7170231342315674