- BPM
- 139
- Key
- A Major
- Camelot
- 11B
Music for His Majesty's Sackbutts and Cornetts: I. Allemande - Matthew Locke, The Philip Jones Brass Ensemble Information
- Acousticness
- 98%
- Danceability
- 23%
- Energy
- 26%
- Instrumentalness
- 0%
- Liveness
- 30%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 0%
- Loudness
- -13.977 dB
Summary
"Music for His Majesty's Sackbutts and Cornetts: I. Allemande" by Matthew Locke, The Philip Jones Brass Ensemble was released on September 1, 1991. With Music for His Majesty's Sackbutts and Cornetts: I. Allemande being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Radcliffe Williams, Andrew Davis, Marie Goossens, Chapel Royal Choir, Hurwitz Chamber Ensemble, The Philip Jones Brass Ensemble's "Jubilate - Music for The Kings & Queens of England" album is number 6 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Music for His Majesty's Sackbutts and Cornetts: I. Allemande's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Music for His Majesty's Sackbutts and Cornetts: I. Allemande BPM
We consider the tempo marking of Music for His Majesty's Sackbutts and Cornetts: I. Allemande by Matthew Locke, The Philip Jones Brass Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Music for His Majesty's Sackbutts and Cornetts: I. Allemande Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nisi Dominus, RV 608: II. Vanum est vobis | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | |
 | Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | |
 | The Consort of Two Parts for Several Friends: Suite No. 3 in D Minor-major: II. Pavan | Matthew Locke, Ensemble Masques | D♭ Major | 2 | 3B | 56 BPM | |
| For Several Friends: Suite No. 4 in E Minor: III. Courante | Matthew Locke, Ensemble Masques | D♭ Major | 2 | 3B | 56 BPM | |
 | Suite in G Major: V. Gavotte - Rondeau | Robert de Visée, Yasunori Imamura | D Major | 2 | 10B | 97 BPM | |
| Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | |
 | Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | |
| Suite in G Major: II. Allemande | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 58 BPM | |
 | Caro dolce ben mio - diminutions by Giovanni Bassano | Andrea Gabrieli, Gawain Glenton, Silas Wollston | B♭ Minor | 1 | 3A | 64 BPM | |
 | Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |
- ISRC
- GBLWD9110406
- Label
- L-M Records/RCA Records
Section: 0.5669934749603271
End: 0.5711290836334229