Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult made "Variations on a Nursery Song, Op. 25: Introduzione (Maestoso)" available on 1954. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 38 in the song's album "Rachmaninoff: Rhapsody on a theme of Paganini [1954]; Dohnányi: Variations on a Nursery Song [1954] (Adrian Boult – The Decca Legacy III, Vol. 11)". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Variations on a Nursery Song, Op. 25: Introduzione (Maestoso)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Variations on a Nursery Song, Op. 25: Introduzione (Maestoso) by Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 10: Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Spectrum Concerts Berlin | F Major | 1 | 7B | 64 BPM | ||
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | ||
Im Frühling, D. 882 - Arr. for Cello & Piano by Trey Lee | Franz Schubert, Trey Lee, Georgy Tchaidze, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: IV. Finale. Vivace | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | E♭ Major | 1 | 5B | 148 BPM | ||
Etude en 12 exercices, S. 136: No. 2 in A Minor | Franz Liszt, Lívia Rév | A Minor | 3 | 8A | 93 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | D Major | 2 | 10B | 82 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |
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