Nicol Matt, Jörg Halobek, Johann Sebastian Bach, Nordic Chamber Choir, Ute Petersilge, Robert Sagasser, Jens Wollenschläger, Heike Hümmer, Martina Rotbauer, Soloists Of The Freiburger Barockorchester's 'Du Grosser Schmerzensmann Bwv 300' came out on March 28, 2007. With Du Grosser Schmerzensmann Bwv 300 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Du Grosser Schmerzensmann Bwv 300 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Du Grosser Schmerzensmann Bwv 300 by Nicol Matt, Jörg Halobek, Johann Sebastian Bach, Nordic Chamber Choir, Ute Petersilge, Robert Sagasser, Jens Wollenschläger, Heike Hümmer, Martina Rotbauer, Soloists Of The Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord is a sun and a shield: No. 2, Verse "Now I know that the Lord saveth his anointed" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | A Major | 1 | 11B | 133 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM | ||
Organ Voluntary in D Major, Op. 6 No. 5: II. Andante largo | John Stanley, Richard Marlow | F Major | 0 | 7B | 69 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) | Jean-Baptiste Lully, William Christie, Justin Taylor | F♯ Minor | 4 | 11A | 85 BPM | ||
Passionsoratorium: O Seele, deren Sehnen aus heil'gen Augen weint (Chorus) | Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | F♯ Minor | 1 | 11A | 78 BPM | ||
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": IV. Quoniam | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | D Major | 3 | 10B | 123 BPM | ||
Paulus: I. Teil: Nr. 2 Choral "Allein Gott in der Höh' sei Ehr" | Felix Mendelssohn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, La Chapelle Royale | G Major | 0 | 9B | 100 BPM | ||
Litaniae Omnium Sanctorum, ZWV 153: Kyrie eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Kyrie, R. 587: 3. Adagio - Allegro: Kyrie eleison | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM |
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