H.J. Gauntlet, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble's 'Once in royal David's city' had a release date set for September 1, 1991. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Once in royal David's city is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Once in royal David's city by H.J. Gauntlet, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goodenough: Psalm CL: O Praise God in His Holiness | Robert Philip Goodenough, Choir of King's College, Cambridge, Sir David Willcocks | G Major | 2 | 9B | 78 BPM | ||
Holy, holy, holy (Nicaea) [v.2 arr. Willcocks] | John Bacchus Dykes, Reginald Heber, Choir of King's College, Cambridge, Ian Hare, Sir David Willcocks | D Major | 2 | 10B | 73 BPM | ||
Lo! He Comes with Clouds Descending | Choir of St. John's College, Cambridge | G Major | 1 | 9B | 135 BPM | ||
Ave Maria | Michael John Trotta | F♯ Major | 1 | 2B | 86 BPM | ||
A Maiden Most Gentle (Live) | Andrew Carter, Choir of King's College, Cambridge, Donal McCann, Daniel Hyde | G Major | 1 | 9B | 104 BPM | ||
Coventry Carol | Worcester Cathedral Choir, Raymond Johnston, Robert Stringer, Traditional | G Major | 0 | 9B | 73 BPM | ||
O Come, Emmanuel | Robert Shaw, Robert Shaw Chamber Singers | E Minor | 0 | 9A | 75 BPM | ||
Adam lay ybounden | John Ireland, Lincoln Cathedral Choir, Aric Prentice | C Minor | 1 | 5A | 81 BPM | ||
Rejoice, Believer in the Lord | The Coventry Singers | A♭ Major | 1 | 4B | 90 BPM | ||
It Came Upon a Midnight Clear | St. Paul's Cathedral Choir | G Major | 3 | 9B | 90 BPM |