Heitor Villa-Lobos, Plínio Fernandes's '5 Preludes, W419: No. 1 in E minor' came out on July 8, 2022. With this song being about 5 minutes long, at 4:57, "5 Preludes, W419: No. 1 in E minor" by Heitor Villa-Lobos, Plínio Fernandes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Saudade". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, 5 Preludes, W419: No. 1 in E minor is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Preludes, W419: No. 1 in E minor by Heitor Villa-Lobos, Plínio Fernandes having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Danzas españolas, Op. 37: 5. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 92 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | A Major | 1 | 11B | 119 BPM | ||
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Prélude à l’après-midi d’un faune | Claude Debussy, Philippe Bernold, Ariane Jacob, Gérard Caussé, Isabelle Moretti | B Major | 0 | 1B | 70 BPM | ||
Valse-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 90 BPM | ||
Bachianas brasileiras No. 1: II. Preludio: Modinha | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | D Minor | 0 | 7A | 82 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM |
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