"Palestrina: Missa Assumpta est Maria - 10. Et in Spiritum Sanctum" by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars was released on March 1, 2005. The duration of Palestrina: Missa Assumpta est Maria - 10. Et in Spiritum Sanctum is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Palestrina: Missa Assumpta est Maria - 10. Et in Spiritum Sanctum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 66 in the song's album "The Tallis Scholars Sing Palestrina". In this album, this song's track order is #13. The popularity of Palestrina: Missa Assumpta est Maria - 10. Et in Spiritum Sanctum is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Palestrina: Missa Assumpta est Maria - 10. Et in Spiritum Sanctum by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quel secours faut-il que j'atende a ma peine | Didier Leblanc, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 74 BPM | ||
Mundy: Vox Patris Caelestis - 9. Te Omnes Caeli | The Tallis Scholars, Peter Phillips | F Minor | 3 | 4A | 64 BPM | ||
Victoria: Requiem (Missa pro defunctis) - 02. Introitus - Te decet hymnus | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | E Minor | 1 | 9A | 73 BPM | ||
Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
Sheppard: Laudem dicite - 6. Gaudeamus et exsultemus 2 | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 2 | 3B | 87 BPM | ||
Josquin: Missa D'ung aultre amer - 1a. Kyrie 1 | Josquin des Prez, The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 139 BPM | ||
Tallis: Hear the voice and prayer - 2. That thine eyes may be open | Thomas Tallis, The Tallis Scholars, Peter Phillips | F♯ Minor | 1 | 11A | 88 BPM | ||
Missa pro defunctis: VI. Agnus Dei | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Byrd: Mass for Five Voices - 02. Gloria | William Byrd, Peter Phillips, The Tallis Scholars | E Major | 2 | 12B | 177 BPM | ||
Haec Dies (4 part) | Oreste Ravanello, Benedictines of Mary, Queen of Apostles | F♯ Minor | 0 | 11A | 94 BPM |
Section: 0.6226074695587158
End: 0.6286394596099854