"Frohes Leben, Walzer, Op. 272" by Josef Strauss, Slovak Radio Symphony Orchestra was released on January 16, 1997. Since Frohes Leben, Walzer, Op. 272 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Josef Strauss's "Josef Strauss: Edition - Vol. 4" album is number 7 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Frohes Leben, Walzer, Op. 272 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Frohes Leben, Walzer, Op. 272 by Josef Strauss, Slovak Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Mozart: Rondo in E-Flat Major, K. 371 (Arr. B. Tuckwell) | Wolfgang Amadeus Mozart, Radovan Vlatkovic, Jeffrey Tate, English Chamber Orchestra | E♭ Major | 1 | 5B | 111 BPM | ||
Pictures At An Exhibition: Ballet Of The Chickens In Their Shells | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F♯ Major | 1 | 2B | 160 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM | ||
Pizzicato Polka | Johann Strauss II, Josef Strauss, Wiener Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 146 BPM | ||
Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | ||
Las Castañuelas | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 3 | 7B | 141 BPM |
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