Maurice Jarre's 'Miss Lily Langtry - cue from The Life and Times of Judge Roy Bean' came out on July 26, 2019. The duration of Miss Lily Langtry - cue from The Life and Times of Judge Roy Bean is about 3 minutes long, at 3:13. Based on our data, "Miss Lily Langtry - cue from The Life and Times of Judge Roy Bean" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Quentin Tarantino's Once Upon a Time in Hollywood Original Motion Picture Soundtrack". In this album, this song's track order is #30. Miss Lily Langtry - cue from The Life and Times of Judge Roy Bean is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Miss Lily Langtry - cue from The Life and Times of Judge Roy Bean by Maurice Jarre having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sette note - Pt. 1 - Single Version | Vince Tempera | C Minor | 4 | 5A | 143 BPM | ||
Les 400 coups | Jean Constantin | A Minor | 1 | 8A | 89 BPM | ||
If You Want Me To | Kris Bowers | B♭ Major | 3 | 6B | 94 BPM | ||
Sunset Boulevard - Suite | Franz Waxman, Charles Gerhardt, National Philharmonic Orchestra | G Major | 1 | 9B | 72 BPM | ||
The Paris Waltz | Maurice Jarre | F♯ Minor | 3 | 11A | 86 BPM | ||
Medley: At La Belle Aurore | The Warner Bros. Studio Orchestra | G Minor | 3 | 6A | 81 BPM | ||
The Man Called Noon - Lo chiamavano Mezzogiorno | Luis Bacalov | D Major | 4 | 10B | 90 BPM | ||
The Murder | Maurice Jarre | D♭ Major | 3 | 3B | 160 BPM | ||
Duel At Diablo (Main Title) | Neal Hefti | C Major | 3 | 8B | 89 BPM | ||
Blame Shifting | Alan Silvestri | F Major | 2 | 7B | 108 BPM |
Section: 0.4810481071472168
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