Johann Sebastian Bach, Safri Duo made "Well-tempered Percussionists: I. Prelude in C Major" available on May 1, 1996. The duration of Well-tempered Percussionists: I. Prelude in C Major is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Well-tempered Percussionists: I. Prelude in C Major's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Safri Duo's "Goldrush" album is number 7 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Well-tempered Percussionists: I. Prelude in C Major's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Well-tempered Percussionists: I. Prelude in C Major by Johann Sebastian Bach, Safri Duo to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
Sike-Edelic Soundwaves | Jane the Ripper | G Major | 0 | 9B | 129 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 100 BPM | ||
Closing circle | Upside Down Upright Bass | A Major | 1 | 11B | 76 BPM | ||
Når jola kjem (When Yule-Tide Comes) [Arr. P. Grainger in E-Flat Major for Saxophone Ensemble] | Carl Gustav Sparre Olsen, Percy Grainger, J. Michael Holmes, Phil Pierick, Joyce Griggs | D Major | 4 | 10B | 125 BPM | ||
Ameline (version for marimba and vibraphone) | Eric Sammut | G Minor | 1 | 6A | 160 BPM | ||
Wind in the Bamboo Grove | Bogdan Bacanu, Keiko Abe | E Minor | 2 | 9A | 82 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
II. White Man Sleeps | Kevin Volans, Kronos Quartet | E Minor | 1 | 9A | 128 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM |
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