"Concerto in D Minor, BWV 974: II. Adagio" by John Williams, Joanne Pearce Martin was released on November 11, 2022. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Fabelmans (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Concerto in D Minor, BWV 974: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in D Minor, BWV 974: II. Adagio by John Williams, Joanne Pearce Martin having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ハリー・ポッターと賢者の石~子供のための管弦楽組曲 ダイアゴン横丁 | John Williams, Tokyo Symphony Orchestra | D Major | 2 | 10B | 121 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | C Minor | 1 | 5A | 97 BPM | ||
Cantos de España, Op. 232: No. 1, Prelude | Isaac Albéniz, Rafael Orozco | F Major | 1 | 7B | 69 BPM | ||
VARIATION AUTOUR D'UN PRÉLUDE - Anatomie d'une chute | Benoît Daniel | A Minor | 1 | 8A | 62 BPM | ||
1.6 Gigue | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | G Major | 3 | 9B | 145 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto - Live | Ludwig van Beethoven, Saito Kinen Orchestra, Seiji Ozawa | E Minor | 0 | 9A | 135 BPM | ||
Thomas | Anne Sophie Versnaeyen | C Major | 3 | 8B | 125 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - Recording Session / Excerpt | Edward Elgar, Sophie Kauer, London Symphony Orchestra, Natalie Murray Beale | G Minor | 0 | 6A | 98 BPM | ||
Il suono dei passi | Andrea Guerra | A Minor | 1 | 8A | 102 BPM |
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