Francois-Joseph Gossec, German Chamber Academy Neuss, Simon Gaudenz's 'Symphony in E Major, Op. 4 No. 5 "Pastorella": IV. Presto' came out on August 2, 2019. The duration of Symphony in E Major, Op. 4 No. 5 "Pastorella": IV. Presto is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Symphony in E Major, Op. 4 No. 5 "Pastorella": IV. Presto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francois-Joseph Gossec, German Chamber Academy Neuss, Simon Gaudenz's "Gossec: Symphonies, Op. 4 Nos. 1-6" album is number 20 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony in E Major, Op. 4 No. 5 "Pastorella": IV. Presto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony in E Major, Op. 4 No. 5 "Pastorella": IV. Presto by Francois-Joseph Gossec, German Chamber Academy Neuss, Simon Gaudenz to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 128 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Symphonie a grand ochestre in D Major, Op. 13, No. 3, "La Chasse": III. Minuetto | Francois-Joseph Gossec, Concerto Köln | D Major | 0 | 10B | 149 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | F Major | 2 | 7B | 88 BPM |
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