- BPM
- 128
- Key
- A Major
- Camelot
- 11B
Medley: The Promised Land/Johnny B. Goode/School Day (Ring, Ring! Goes The Bell)/Mabellene/Memphis, Tennessee - Jerry Reed Information
- Acousticness
- 60%
- Danceability
- 55%
- Energy
- 90%
- Instrumentalness
- 0%
- Liveness
- 36%
- Loudness
- 88%
- Speechiness
- 5%
- Valence
- 82%
- Popularity
- 24%
- Loudness
- -7.164 dB
Summary
On December 1, 1973, the song "Medley: The Promised Land/Johnny B. Goode/School Day (Ring, Ring! Goes The Bell)/Mabellene/Memphis, Tennessee" was released by Jerry Reed. The duration of Medley: The Promised Land/Johnny B. Goode/School Day (Ring, Ring! Goes The Bell)/Mabellene/Memphis, Tennessee is about 3 minutes long, at 3:13. Based on our data, "Medley: The Promised Land/Johnny B. Goode/School Day (Ring, Ring! Goes The Bell)/Mabellene/Memphis, Tennessee" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jerry Reed's "Hot A' Mighty" album is number 2 out of 10. Based on our statistics, Medley: The Promised Land/Johnny B. Goode/School Day (Ring, Ring! Goes The Bell)/Mabellene/Memphis, Tennessee's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Medley: The Promised Land/Johnny B. Goode/School Day (Ring, Ring! Goes The Bell)/Mabellene/Memphis, Tennessee BPM
We consider the tempo marking of Medley: The Promised Land/Johnny B. Goode/School Day (Ring, Ring! Goes The Bell)/Mabellene/Memphis, Tennessee by Jerry Reed to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Medley: The Promised Land/Johnny B. Goode/School Day (Ring, Ring! Goes The Bell)/Mabellene/Memphis, Tennessee Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | This Must The The Bottom | Del Reeves | A Major | 4 | 11B | 89 BPM | |
 | The Bridge Washed Out | Warner Mack | G Major | 5 | 9B | 151 BPM | |
 | The Philadelphia Fillies | Del Reeves | F Major | 6 | 7B | 111 BPM | |
 | Badly Bent | The Tractors | G Major | 7 | 9B | 160 BPM | |
 | Only Daddy That Will Walk the Line | Waylon Jennings and the Waylors | A♭ Major | 6 | 4B | 80 BPM | |
 | Gettin' Drunk and Fallin' Down | Hank Williams III | B Major | 7 | 1B | 158 BPM | |
 | When You're Hot, You're Hot | Jerry Reed | E Major | 10 | 12B | 101 BPM | |
 | Too Old To Cut The Mustard | Red Foley, Ernest Tubb | D Major | 5 | 10B | 106 BPM | |
 | The Uptown Poker Club | Jerry Reed | A Major | 9 | 11B | 116 BPM | |
 | Renegade | Charlie Daniels | A Major | 5 | 11B | 122 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6339619159698486
End: 0.6380791664123535