Leonard Bernstein, Sir Simon Rattle, Birmingham Contemporary Music Group's 'Bernstein: Wonderful Town, Act I: "Ohio" (Ruth Sherwood, Eileen Sherwood)' came out on 1999. The duration of Bernstein: Wonderful Town, Act I: "Ohio" (Ruth Sherwood, Eileen Sherwood) is about 3 minutes long, at 3:27. Based on our data, "Bernstein: Wonderful Town, Act I: "Ohio" (Ruth Sherwood, Eileen Sherwood)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leonard Bernstein, Sir Simon Rattle, Birmingham Contemporary Music Group's "Leonard Bernstein: Wonderful Town" album is number 3 out of 20. Based on our statistics, Bernstein: Wonderful Town, Act I: "Ohio" (Ruth Sherwood, Eileen Sherwood)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bernstein: Wonderful Town, Act I: "Ohio" (Ruth Sherwood, Eileen Sherwood) by Leonard Bernstein, Sir Simon Rattle, Birmingham Contemporary Music Group to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cool | Ansel Elgort, Mike Faist | B♭ Minor | 2 | 3A | 89 BPM | ||
My True Love | Glory Crampton | A♭ Major | 2 | 4B | 107 BPM | ||
Goodbye, Old Girl | Robert Shafer, Stephen Douglass | A Major | 1 | 11B | 169 BPM | ||
Fugue for Tinhorns | David Green, Don Stephenson, Nic Colicos | D♭ Major | 4 | 3B | 140 BPM | ||
That'll Show Him | Preshy Marker | C Major | 2 | 8B | 125 BPM | ||
Gonna Be Another Hot Day | Christopher Innvar, Company | C Major | 1 | 8B | 125 BPM | ||
Please Hello | Alvin Ing, Yuki Shimoda, Ernest Harada, Mako, Patrick Kinser-Lau, Mark Hsu Syers, James Dybas | F Minor | 3 | 4A | 149 BPM | ||
Songfest: 1. "To The Poem" | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington | E Minor | 3 | 9A | 85 BPM | ||
Don't Wish Too Hard - The Boy From Oz/Original Cast Recording/2003 | Carole Bayer Sager, Peter Allen, Isabel Keating, Patrick Vaccariello, Jim Laev | A♭ Major | 6 | 4B | 82 BPM | ||
1776: He Plays the Violin | Sherman Edwards, Betty Buckley, Rex Everhart, William Daniels, Peter Howard | C Minor | 3 | 5A | 68 BPM |
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