Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act I: Dialogue: Was aus dem Menschen nicht alles werden kann (Veit, Tobias, Marthe, Pater)' came out on January 1, 2005. Since Undine: Act I: Dialogue: Was aus dem Menschen nicht alles werden kann (Veit, Tobias, Marthe, Pater) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 3 out of 37. On top of that, United States appears to be the country where this track was created. Undine: Act I: Dialogue: Was aus dem Menschen nicht alles werden kann (Veit, Tobias, Marthe, Pater) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: Act I: Dialogue: Was aus dem Menschen nicht alles werden kann (Veit, Tobias, Marthe, Pater) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 14, La styrienne | Franz Burgmüller, The Gerst Ensemble | G Major | 0 | 9B | 99 BPM | ||
Segunda visión | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 81 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act II: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 127 BPM | ||
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | A♭ Major | 0 | 4B | 83 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Variation 1: Piu andante | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 2 | 11B | 106 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 6 in C Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 125 BPM | ||
Zar und Zimmermann, LoWV 38: "Den hohen Herrscher würdig zu empfangen" | Albert Lortzing, Karl Christian Kohn, Bavarian Radio Chorus, Bamberg Symphony, Hans Gierster, Wolfgang Schubert | C Major | 3 | 8B | 91 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
アイネ・クライネ・ナハトムジーク K.525~第4楽章 | ベルリン室内管弦楽団 | G Major | 2 | 9B | 121 BPM |
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