Ron Jones's 'The Neutral Zone: Romulan Encounter' came out on February 16, 2011. The duration of The Neutral Zone: Romulan Encounter is about 3 minutes long, at 3:18. Based on our data, "The Neutral Zone: Romulan Encounter" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Star Trek: The Next Generation, 4: Skin of Evil/We'll Always Have Paris/The Neutral Zone". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United States. Based on our statistics, The Neutral Zone: Romulan Encounter's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Neutral Zone: Romulan Encounter by Ron Jones having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Survivors | Alexander Courage | A♭ Major | 1 | 4B | 81 BPM | ||
Humanity Taken | Jerry Goldsmith, Ron Jones | D♭ Major | 0 | 3B | 65 BPM | ||
Dark Wandering | James Hannigan | A Minor | 5 | 8A | 110 BPM | ||
First Officer's Log | Jeff Russo | F Major | 1 | 7B | 65 BPM | ||
Alternate Main Title | Harry Sukman | G Major | 3 | 9B | 140 BPM | ||
Destruct Mode / Picard Is Back | Jerry Goldsmith, Ron Jones | F♯ Major | 1 | 2B | 68 BPM | ||
Miyagi Tears | Bill Conti | A Major | 3 | 11B | 59 BPM | ||
11001001: Nearness of You (Washington/Carmichael) and Ending | Ron Jones | A♭ Major | 1 | 4B | 62 BPM | ||
Bajor / Jake / Saying Goodbye | Dennis McCarthy | D Minor | 1 | 7A | 92 BPM | ||
Star Trek: The Next Generation End Credit | Jerry Goldsmith, Ron Jones | B♭ Major | 3 | 6B | 113 BPM |
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