"Lonely Suite - Ballet for a Lonely Violinist, Op 70: VI. Question - for Solo Violin" by Lera Auerbach, Delta Piano Trio, Gerard Spronk was released on September 29, 2023. With Lonely Suite - Ballet for a Lonely Violinist, Op 70: VI. Question - for Solo Violin being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lera Auerbach, Delta Piano Trio's "Milking Darkness" album is number 6 out of 15. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Lonely Suite - Ballet for a Lonely Violinist, Op 70: VI. Question - for Solo Violin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lonely Suite - Ballet for a Lonely Violinist, Op 70: VI. Question - for Solo Violin by Lera Auerbach, Delta Piano Trio, Gerard Spronk to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spheres | Gabriel Prokofiev, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | A♭ Minor | 0 | 1A | 98 BPM | ||
Vocalise, Op 34, No. 14 | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | E Minor | 0 | 9A | 87 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Estampes, L. 100: III. Jardins sous la pluie | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM | ||
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation V | Franz Schubert, Andreas Staier, Alexander Melnikov | E♭ Major | 0 | 5B | 66 BPM | ||
Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Lullaby | Vladimir Odoyevsky, Lera Auerbach | D Major | 0 | 10B | 76 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |
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