Léo Delibes, Cecilia Bartoli, Myung-Whun Chung's 'Les filles de Cadix' had a release date set for January 1, 1996. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 19 in Cecilia Bartoli - Chant d'Amour by Cecilia Bartoli, Myung-Whun Chung. The popularity of Les filles de Cadix is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Les filles de Cadix by Léo Delibes, Cecilia Bartoli, Myung-Whun Chung is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Griselda, RV 718 / Act 3: Dopo un' orrida procella | Antonio Vivaldi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 1 | 6B | 85 BPM | ||
Myrthen, Op. 25: 3. Der Nussbaum | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | G Major | 0 | 9B | 70 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Romance "L'âme évaporée" | Claude Debussy, Susan Manoff, Sandrine Piau | B Minor | 0 | 10A | 171 BPM | ||
Otello / Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Minor | 0 | 9A | 81 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Azulao | Arleen Auger | A♭ Major | 0 | 4B | 102 BPM |