"Colette’s Journey" by Thomas Adès was released on December 14, 2018. With Colette’s Journey being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 26 in Colette (Original Motion Picture Soundtrack) by Thomas Adès. Colette’s Journey is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Colette’s Journey by Thomas Adès is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jules Colette Burial | Thomas Adès | F Minor | 1 | 4A | 81 BPM | ||
Selbourne Wood | Original Soundtrack | A Minor | 1 | 8A | 66 BPM | ||
Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Ji Liu | D♭ Major | 0 | 3B | 68 BPM | ||
String Quartet No. 3, "Mishima": VI. Mishima / Closing | Philip Glass, The Modern String Quintet | C Minor | 3 | 5A | 72 BPM | ||
Belgravia | John Lunn, The Chamber Orchestra Of London | E Minor | 1 | 9A | 160 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Thomas Adès, Britten Sinfonia | F Major | 1 | 7B | 128 BPM | ||
The Final Game | Carlos Rafael Rivera | A Minor | 2 | 8A | 120 BPM | ||
Symphony No. 2 in D Major, Op. 36: II. Larghetto | Ludwig van Beethoven, Thomas Adès, Britten Sinfonia | A Major | 0 | 11B | 86 BPM | ||
Hungry Hearts | Nicola Piovani | G Major | 1 | 9B | 79 BPM | ||
No Regrets | Ruth Barrett | F Minor | 4 | 4A | 78 BPM |
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