Erik Satie, Francis Poulenc's ' "Croquis et agaceries d'un gros bonhomme en bois: III. Españaña" was released on its scheduled release date, 1951. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francis Poulenc's "Meet the Composer - Francis Poulenc Playing His Own Works" album is number 23 out of 23. On top of that, United States appears to be the country where this track was created. The popularity of Croquis et agaceries d'un gros bonhomme en bois: III. Españaña is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Croquis et agaceries d'un gros bonhomme en bois: III. Españaña by Erik Satie, Francis Poulenc to be Prestissimo (even faster than presto) because the track has a tempo of 204 BPM, a half-time of 102BPM, and a double-time of 408 BPM. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le travail du peintre: Pablo Picasso | Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen | A♭ Major | 2 | 4B | 110 BPM | ||
3 Klavierstücke, Op. 11: No. 1, Mäßige Viertel | Arnold Schoenberg, Glenn Gould | A♭ Major | 0 | 4B | 79 BPM | ||
Années de pèlerinage II, S. 161: II. Il Penseroso | Franz Liszt, Lazar Berman | D♭ Major | 0 | 3B | 63 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Le travail du peintre: Georges Braque | Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen | A♭ Major | 1 | 4B | 184 BPM | ||
Suite française d'après Claude Gervaise, FP 80b: III. Petite marche militaire | Francis Poulenc | B♭ Major | 3 | 6B | 76 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
En habit de cheval: I. Choral | Erik Satie, Arthur Gold, Robert Fizdale | C Major | 1 | 8B | 130 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: III. Gagliarda | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 97 BPM |