"O lux beate trinitas: Te mane laudum carmine (arr. for chamber ensemble)" by Michael Praetorius, Sue Richards, Carolyn Anderson Surrick, Ryan McKasson, Jackie Moran, Hanneke Cassel, Kathryn Montoya, Ginger Hildebrand, Ensemble Galilei was released on June 5, 2012. The duration of O lux beate trinitas: Te mane laudum carmine (arr. for chamber ensemble) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. O lux beate trinitas: Te mane laudum carmine (arr. for chamber ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 16 in A Change of Worlds by Jackie Moran, Ginger Hildebrand, Hanneke Cassel, Sue Richards, Kathryn Montoya, Ryan McKasson, Carolyn Anderson Surrick, Ensemble Galilei. O lux beate trinitas: Te mane laudum carmine (arr. for chamber ensemble) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O lux beate trinitas: Te mane laudum carmine (arr. for chamber ensemble) by Michael Praetorius, Sue Richards, Carolyn Anderson Surrick, Ryan McKasson, Jackie Moran, Hanneke Cassel, Kathryn Montoya, Ginger Hildebrand, Ensemble Galilei is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
The Dancing Master: Newcastle | John Playford, The Broadside Band, Jeremy Barlow | G Major | 2 | 9B | 114 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM | ||
White-Hall Minuett | The Broadside Band | D Minor | 1 | 7A | 127 BPM | ||
Capriccio | Giovanni Paolo Cima, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 70 BPM | ||
So ben mi ch'ha bon tempo | Orazio Vecchi, Lena Hellström-Färnlöf, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | E Minor | 2 | 9A | 141 BPM | ||
Ecco la primavera | Francesco Landini, Early Music Consort Of London, David Munrow | D Minor | 4 | 7A | 177 BPM | ||
If Ye Love Me | Thomas Tallis, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | F Major | 1 | 7B | 79 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM |
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