Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti's 'Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio)' came out on 1979. The duration of Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 2 out of 44. Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM | ||
La urraca ladrona | Orquesta de la asociacion de conciertos de Berlin, Rene Leibowitz | B♭ Major | 1 | 6B | 135 BPM | ||
Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Teresa Stratas, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Major | 0 | 8B | 183 BPM | ||
Pagliacci / Act I: "Son qua! Ritornano" | Ruggero Leoncavallo, Carlo Bergonzi, Ugo Benelli, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | E♭ Major | 4 | 5B | 109 BPM | ||
Spartacus - Ballet Suite: Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 1 | 4B | 85 BPM | ||
Pagliacci / Act 1: "Nedda! Silvio, a quest'ora" | Ruggero Leoncavallo, Teresa Stratas, Alberto Rinaldi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Minor | 1 | 5A | 91 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
J. Strauss II: Voices of Spring, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM |
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