"Anonymous: Llibre Vermell De Montserrat: Imperayritz de la ciutat joyosa" by Monks of the Monastery of Montserrat, Jordi Savall was released on 1979. Since Anonymous: Llibre Vermell De Montserrat: Imperayritz de la ciutat joyosa is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Monks of the Monastery of Montserrat, Jordi Savall's "Llibre Vermell De Montserrat" album is number 9 out of 11. On top of that, Germany appears to be the country where this track was created. Anonymous: Llibre Vermell De Montserrat: Imperayritz de la ciutat joyosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Anonymous: Llibre Vermell De Montserrat: Imperayritz de la ciutat joyosa by Monks of the Monastery of Montserrat, Jordi Savall to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Correnta settima | Carlo Farina, Musica Antiqua, Christian Mendoze | F Major | 1 | 7B | 67 BPM | ||
Libera Nos, Salva Nos à 5 | Thomas Tallis, Fretwork | C Minor | 0 | 5A | 131 BPM | ||
Orchésographie: Pavane 'Belle qui tiens ma vie' (Gaillarde) 'La Traditore my fa morire' (Gaillarde) 'Anthoinette' (Gaillarde) 'J'aymerois mieulx dormir seulette' (La volte) | Thoinot Arbeau, Ensemble Clément Janequin, Dominique Visse | B♭ Major | 1 | 6B | 119 BPM | ||
Mass For Four Voices: 2. Credo | Thomas Tallis, The Hilliard Ensemble | C Major | 2 | 8B | 80 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Madrigali amorosi: No. 2, Sonnet by Petrarch "Vago augelletto che cantando vai" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | C Major | 1 | 8B | 87 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Alta [Danza Sobre La Spagna] | Eduardo Paniagua | A Minor | 3 | 8A | 105 BPM |
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