Saburo Kitajima made "男の明日に" available on January 1, 2022. With this song being about 5 minutes long, at 4:45, "男の明日に" by Saburo Kitajima is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 北島三郎芸道60周年 ~ファンと歩んだ永遠の輝き~ II, so we believe that "男の明日に" is a single. Based on our statistics, 男の明日に's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 男の明日に by Saburo Kitajima is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
おふくろさん | Shinichi Mori | E Minor | 3 | 9A | 110 BPM | ||
乙女のワルツ | Sakiko Ito | G Major | 4 | 9B | 202 BPM | ||
カサブランカ・グッバイ | Ichiro Toba | F Minor | 6 | 4A | 134 BPM | ||
今日でお別れ | 敏いとうとハッピー&ブルー | D Minor | 5 | 7A | 125 BPM | ||
すきま風 | Ryotaro Sugi | B♭ Minor | 4 | 3A | 113 BPM | ||
兄弟船 | Jiro Atsumi | E Minor | 5 | 9A | 149 BPM | ||
今日の日はさようなら | Ryoko Moriyama | D Major | 2 | 10B | 184 BPM | ||
サルビアの花 | 本田 路津子 | G Major | 3 | 9B | 110 BPM | ||
津軽平野 | Masao Sen | E Minor | 5 | 9A | 76 BPM | ||
次郎長富士 | Saburo Kitajima | B Major | 6 | 1B | 132 BPM |
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