"Suite du deuxième ton pour le Magnificat - 7. Petit Plein Jeu" by Gailit, Michael was released on 1990. With Suite du deuxième ton pour le Magnificat - 7. Petit Plein Jeu being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 10 in Die neue Göckel-Orgel in der Heilig-Geist-Kirche zu Mannheim (Gailit, Michael) by Gailit, Michael. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Suite du deuxième ton pour le Magnificat - 7. Petit Plein Jeu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite du deuxième ton pour le Magnificat - 7. Petit Plein Jeu by Gailit, Michael is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Geprezen zij de Heer | Johan Bredewout, Arjan Post, Edith Post | C Major | 1 | 8B | 74 BPM | ||
Aurinkomme ylösnousi | Vesa Kajava | C Minor | 2 | 5A | 69 BPM | ||
Baroque Suite: III. Verset in the Dorian Mode | J. H. Reginald Dixon, Ian Hare | A Minor | 0 | 8A | 0 BPM | ||
Fanfare on "Ellacombe" | Paul Fey | B♭ Major | 2 | 6B | 68 BPM | ||
Orb & Sceptre March | William Walton, The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary | E Major | 1 | 12B | 84 BPM | ||
Suite No. 1: Prélude | Louis Vierne, Olivier Latry | C Major | 0 | 8B | 83 BPM | ||
Organ Symphony No. 5 in F minor, Op. 42, No. 1: Organ Symphony No. 5: Toccata | Bertalan Hock, Charles-Marie Widor | F Major | 2 | 7B | 106 BPM | ||
Come, Sweet Death, BWV 478 (Arr. V. Fox) | Virgil Fox | D♭ Minor | 1 | 12A | 70 BPM | ||
Van Den Budenmayer (Funeral Music) - Organ | Zbigniew Preisner | D Major | 0 | 10B | 89 BPM | ||
Hallelujah - Instrumental | Alexander Därr | D♭ Major | 0 | 3B | 68 BPM |
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