Antonio Draghi, Cappella Mediterranea, Leonardo García-Alarcón, Giuseppina Bridelli, Fabio Trümpy's 'El Prometeo, Act II Scene 10: En Busca de Mi Amante' had a release date set for March 6, 2020. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 37 in Antonio Draghi & Leonardo García Alarcón: El Prometeo by Leonardo García-Alarcón, Cappella Mediterranea, Chœur De Chambre De Namur. El Prometeo, Act II Scene 10: En Busca de Mi Amante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Prometeo, Act II Scene 10: En Busca de Mi Amante by Antonio Draghi, Cappella Mediterranea, Leonardo García-Alarcón, Giuseppina Bridelli, Fabio Trümpy is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vita nella morte: No. 7, Aria Humanita | Antonio Draghi, Christophe Coin, Ensemble Baroque De Limoges | E Major | 1 | 12B | 104 BPM | ||
Il Crocefisso per Grazia: Ecco qui l'incomprensibile | Antonio Draghi, Francesca Aspromonte, I Barocchisti, Diego Fasolis | D♭ Minor | 2 | 12A | 97 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Per un bacio | Barbara Strozzi, Berit Norbakken, Solmund Nystabakk | A Major | 0 | 11B | 129 BPM | ||
In solitare arene: "Lo strale di Cupido" | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
[Suite en ré majeur]: I. Prélude (No. 47) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 92 BPM | ||
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Fantasia-Suite No. 8 in D Major: II. Almaine "La goutte" | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM |