"Blue, Act I Scene 2: Hello...Mom!" by Jeanine Tesori, Ariana Wehr, Briana Hunter, Kenneth Kellogg, Roderick Cox, Washington National Opera Orchestra was released on March 25, 2022. With Blue, Act I Scene 2: Hello...Mom! being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jeanine Tesori, Washington National Opera Orchestra, Roderick Cox, Kenneth Kellogg, Briana Hunter, Aaron Crouch, Gordon Hawkins's "Jeanine Tesori: Blue" album is number 19 out of 72. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Blue, Act I Scene 2: Hello...Mom! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blue, Act I Scene 2: Hello...Mom! by Jeanine Tesori, Ariana Wehr, Briana Hunter, Kenneth Kellogg, Roderick Cox, Washington National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duets: Gonna Pass Me a Law | Adam Makké, Jeanine Tesori, Sharon D Clarke, Tony Kushner | G Major | 5 | 9B | 141 BPM | ||
Blue, Act I Scene 4: You Not Getting Off That Easy | Jeanine Tesori, Kenneth Kellogg, Aaron Crouch, Roderick Cox, Washington National Opera Orchestra | F Minor | 5 | 4A | 90 BPM | ||
Top of the World | Andrew Keenan-Bolger, Sarah Charles Lewis, Tuck Everlasting Original Broadway Cast Ensemble | D Major | 5 | 10B | 106 BPM | ||
There Was John | Lilli Cooper, Santino Fontana | E Major | 3 | 12B | 122 BPM | ||
Caroline, There's Extra Food | Adam Makké, Caissie Levy, Jeanine Tesori, Joy Hermalyn, Sharon D Clarke, Stuart Zagnit, Tony Kushner | G Major | 5 | 9B | 141 BPM | ||
Hello, Darling #2 | Alli Mauzey, Kimberly Akimbo Original Broadway Cast, Jeanine Tesori, David Lindsay-Abaire | B♭ Major | 3 | 6B | 150 BPM | ||
Adelaide's Lament | Faith Prince | D♭ Major | 1 | 3B | 92 BPM | ||
Darkness And Trees | 'Come From Away' Company | E Minor | 4 | 9A | 82 BPM | ||
I'm Breaking Down | Stephanie J. Block | A Major | 4 | 11B | 141 BPM | ||
"It Was Great to Have You Home..." | Michael Cerveris, Beth Malone | B Minor | 3 | 10A | 130 BPM |
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