Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Peter Rose, Yvonne Howard, Neal Davies's 'The Bartered Bride, Act I Scene III: Trio "Well, as I told you, he's kind and he's gentle"' came out on October 1, 2005. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 44 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Bartered Bride, Act I Scene III: Trio "Well, as I told you, he's kind and he's gentle"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Bartered Bride, Act I Scene III: Trio "Well, as I told you, he's kind and he's gentle" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Peter Rose, Yvonne Howard, Neal Davies having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Dalibor, JB 1:101, Act I, Scene 6: Jaká to bouře ňadra mi plní (Milada, Jitka) | Bedřich Smetana, Marie Podvalová, Štefa Petrová, Prague National Theatre Orchestra, Jaroslav Krombholc | B Major | 1 | 1B | 51 BPM | ||
Memories of Bohemia in Polka Form, Op. 13: No. 2 in E-Flat Major | Bedřich Smetana, Jan Novotný | B♭ Major | 1 | 6B | 105 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM |
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