Georges Bizet, London Symphony Orchestra, Claudio Abbado made "Carmen, WD 31: Entracte After Act I (Les dragons d'Alcala)" available on January 1, 1988. With Carmen, WD 31: Entracte After Act I (Les dragons d'Alcala) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 12 in Bizet: L'Arlésienne Suites Nos.1 & 2; Carmen Suite No.1 by Georges Bizet, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Carmen, WD 31: Entracte After Act I (Les dragons d'Alcala)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Carmen, WD 31: Entracte After Act I (Les dragons d'Alcala) by Georges Bizet, London Symphony Orchestra, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No.2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): IV. Farandole | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | D Major | 4 | 10B | 79 BPM | ||
Bizet: Carmen, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) | Georges Bizet, Maria Callas, Choeurs Rene Duclos, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | D Major | 1 | 10B | 102 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |
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