Francois Loeb, Johann Sebastian Bach's 'Prelude & Fugue In C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: 1. Prelude' came out on March 22, 2024. The duration of Prelude & Fugue In C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: 1. Prelude is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Prelude & Fugue In C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: 1. Prelude's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in J.S. Bach: Prelude & Fugue In C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: 1. Prelude and no other songs are present in the album, we classify this track as a single. On top of that, Sweden appears to be the country where this track was created. Prelude & Fugue In C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: 1. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude & Fugue In C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: 1. Prelude by Francois Loeb, Johann Sebastian Bach to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Embrace of the Sun | Remo Anzovino | B Minor | 1 | 10A | 145 BPM | ||
Bach, CPE: 6 Sonaten für Kenner und Liebhaber, Wq. 55, No. 3 in B Minor: III. Cantabile | Carl Philipp Emanuel Bach, Fazıl Say | D Minor | 2 | 7A | 82 BPM | ||
Azure Room (Mirrors) | Fleursonseaux | D Minor | 1 | 7A | 75 BPM | ||
Senobi | Daigo Hanada | D♭ Minor | 1 | 12A | 128 BPM | ||
Over There, It's Raining | Nils Frahm, Lavinia Meijer | D♭ Major | 1 | 3B | 149 BPM | ||
Talk to You | Lennard Kastner | A♭ Minor | 0 | 1A | 180 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio (Arr. Lander for Solo Piano) | Benjamin Lander, Edvard Grieg | D♭ Minor | 2 | 12A | 119 BPM | ||
Hymn for Peace | Rosey Chan, Sonic Apothecary | E Minor | 0 | 9A | 127 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Deep Blue Day - Piano Version | Roger Eno | E Major | 0 | 12B | 136 BPM |
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