Alexander Scriabin, Evgeny Zarafiants's '24 Preludes, Op. 11: No. 16 in B-Flat Minor' came out on February 9, 2000. The duration of 24 Preludes, Op. 11: No. 16 in B-Flat Minor is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. 24 Preludes, Op. 11: No. 16 in B-Flat Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Scriabin: Preludes, Vol. 1". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Hong Kong. 24 Preludes, Op. 11: No. 16 in B-Flat Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes, Op. 11: No. 16 in B-Flat Minor by Alexander Scriabin, Evgeny Zarafiants having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 12 in E Major | Johannes Brahms, Idil Biret | A Minor | 2 | 8A | 125 BPM | ||
Children's Album No. 2 "Sounds of Childhood": No. 2, An Evening Tale | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Piano Sonata No. 3 in F Minor, Op. 5: I. Allegro maestoso | Johannes Brahms, Evgeny Kissin | D♭ Major | 0 | 3B | 133 BPM | ||
Visions fugitives, Op. 22: XI. Con vivacità | Sergei Prokofiev, Steven Osborne | D Major | 0 | 10B | 132 BPM | ||
24 Preludes, Op. 34: No. 1 in C Major. Moderato | Dmitri Shostakovich, Tatiana Nikolayeva | D Minor | 0 | 7A | 70 BPM | ||
Nocturnes: 5. No.5 | Erik Satie, Pascal Rogé | D Minor | 0 | 7A | 70 BPM | ||
Lyric Pieces, Book 10, Op. 71: Det var engang (Once Upon a Time) | Edvard Grieg, Einar Steen-Nøkleberg | C Major | 0 | 8B | 72 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | A♭ Major | 2 | 4B | 87 BPM | ||
Mazurka No. 34 in C Major, Op. 56 No. 2: Vivace (I) | Frédéric Chopin, Arturo Benedetti Michelangeli | C Major | 0 | 8B | 167 BPM | ||
No. 8, Am Kamin | Robert Schumann, Vladimir Horowitz | F Major | 1 | 7B | 206 BPM |
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