Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman made "Regementets snapsvisa (Gotlands regemente och Gotlandsbrigaden)" available on 1995. With Regementets snapsvisa (Gotlands regemente och Gotlandsbrigaden) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 70 in the song's album "Sång och spel från mäss och hed". In this album, this song's track order is #39. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Regementets snapsvisa (Gotlands regemente och Gotlandsbrigaden)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Regementets snapsvisa (Gotlands regemente och Gotlandsbrigaden) by Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias (Imperfectas) | Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Sellengers Round (Arr. Barlow) | Traditional, The Broadside Band | D Major | 3 | 10B | 106 BPM | ||
Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | A Major | 2 | 11B | 86 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Kyrie - Rex aeterno | Traditional, Konrad Ruhland, Choralschola of the Niederaltaicher Scholaren | D Major | 0 | 10B | 173 BPM | ||
Materna Requiem: 5. Agnus Dei | Rebecca Dale, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E♭ Minor | 3 | 2A | 81 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM |
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