Aureliano Pertile's 'Mefistofele, Aureliano Pertile: Act III - " Giunto sui passo"' came out on November 30, 2010. The duration of Mefistofele, Aureliano Pertile: Act III - " Giunto sui passo" is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Mefistofele, Aureliano Pertile: Act III - " Giunto sui passo"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #22. Mefistofele, Aureliano Pertile: Act III - " Giunto sui passo" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mefistofele, Aureliano Pertile: Act III - " Giunto sui passo" by Aureliano Pertile having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Rey Que Rabió: "Duetto: Mientras con los reclutas" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | F Major | 2 | 7B | 134 BPM | ||
Il Pirata, Act I: Sì vincemmo | Vincenzo Bellini, Felice Romani, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
E lucevan le stelle (Tosca) | Aureliano Pertile | B Minor | 2 | 10A | 84 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son | Umberto Giordano, Neil Howlett, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | F♯ Minor | 3 | 11A | 81 BPM | ||
Mamma, quel vino è generoso (Cavalleria rusticana) | Aureliano Pertile | E♭ Major | 3 | 5B | 78 BPM | ||
Il Trovatore : Act IV - Ciel!...Non m'inganna quel fioco lume? | Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Carlo Sabajno, Irene Minghini - Cattaneo, Aureliano Pertile, Maria Carena | B♭ Major | 2 | 6B | 87 BPM | ||
Cavalleria rusticana, Scene 11: Mamma, quel vino è generoso | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
La Boheme, erster Akt: Non sono in Vena | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | E♭ Major | 3 | 5B | 96 BPM | ||
Il Pirata, Act I: Il suo disegno | Vincenzo Bellini, Felice Romani, Marina Rebeka, Javier Camarena, Franco Vassallo, Gustavo de Gennaro, Antonio Di Matteo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM |
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