"Il pirata / Act 2: Oh, s'io potessi dissipar le nubi" by Vincenzo Bellini, Renée Fleming, Melanie Feld, Orchestra of St. Luke's, Patrick Summers was released on August 19, 2002. With this song being about 5 minutes long, at 5:12, "Il pirata / Act 2: Oh, s'io potessi dissipar le nubi" by Vincenzo Bellini, Renée Fleming, Melanie Feld, Orchestra of St. Luke's, Patrick Summers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Renée Fleming - Bel Canto Scenes". In this album, this song's track order is #11. Il pirata / Act 2: Oh, s'io potessi dissipar le nubi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il pirata / Act 2: Oh, s'io potessi dissipar le nubi by Vincenzo Bellini, Renée Fleming, Melanie Feld, Orchestra of St. Luke's, Patrick Summers having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
La Sonnambula / Act 1: "Perdona, o mia diletta...Prendi: L'anel ti dono" | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 79 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
La Bohème / Act 4: "Vecchia zimarra, senti" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Norma / Act 1: Perfido! | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 82 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM |
Section: 0.7194743156433105
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