Dick Gallagher, Mark Waldrop, Jay Rogers, Peter Morris, Alan Tulin, Matthew Ward, Boots Maleson made "Tough to Be a Fairy (From "Whoop-Dee-Doo")" available on 1995. The duration of Tough to Be a Fairy (From "Whoop-Dee-Doo") is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Tough to Be a Fairy (From "Whoop-Dee-Doo")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Whoop Dee Doo! (Original Off-Broadway Cast Recording) by Original Off-Broadway Cast of Whoop Dee Doo!. The song's track number on the album is #13 out of 29 tracks. Based on our statistics, Tough to Be a Fairy (From "Whoop-Dee-Doo")'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Tough to Be a Fairy (From "Whoop-Dee-Doo") by Dick Gallagher, Mark Waldrop, Jay Rogers, Peter Morris, Alan Tulin, Matthew Ward, Boots Maleson has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tough to Be a Fairy (From "Whoop-Dee-Doo") being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Think That He Likes Me | Kooman & Dimond, Kerry Butler | C Major | 5 | 8B | 148 BPM | ||
Reviewing The Situation | Jonathan Pryce | F Major | 3 | 7B | 84 BPM | ||
Waitin' For The Light To Shine - 1985 Original Broadway Cast | Roger Miller, Daniel Jenkins | E Major | 1 | 12B | 119 BPM | ||
ACT I the Cave, the Call:, Pt. I: The Call | Adam Guettel | E Major | 3 | 12B | 143 BPM | ||
We Beseech Thee | Nick Blaemire, Godspell (The New Broadway Cast Recording) | G Major | 6 | 9B | 136 BPM | ||
Bye Bye Birdie - Original Broadway Cast: The Telephone Hour | Charles Strouse, Bye Bye Birdie Ensemble, Elliot Lawrence | D Major | 4 | 10B | 82 BPM | ||
Maybe It Starts With Me | Shoshana Bean | D♭ Major | 2 | 3B | 73 BPM | ||
It's You | Meredith Willson | B♭ Major | 0 | 6B | 138 BPM | ||
Johnny One-Note | Gregg Edelman, Judy Blazer | E♭ Major | 4 | 5B | 113 BPM | ||
Live Before We Die - 2010 Original Cast Recording from The Addams Family Musical on Broadway | Nathan Lane, Bebe Neuwirth | F♯ Minor | 2 | 11A | 100 BPM |
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