Johan Helmich Roman, Höör Barock, Dan Laurin made "Golovinmusiken, BeRI 1: No. 28, Hornpipe" available on March 1, 2019. With Golovinmusiken, BeRI 1: No. 28, Hornpipe being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 28 out of 45. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Golovinmusiken, BeRI 1: No. 28, Hornpipe's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 28, Hornpipe by Johan Helmich Roman, Höör Barock, Dan Laurin to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: III. Allegro | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 114 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | D Minor | 0 | 7A | 97 BPM | ||
Bilagers musiquen, BeRI 2, "Drottningholmsmusique": X. Allegro assai (Royal wedding music) | Johan Helmich Roman, Helsingborg Symphony Orchestra, Andrew Manze | D Major | 1 | 10B | 128 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: I. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 101 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM | ||
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: III. Largo | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | D♭ Major | 0 | 3B | 117 BPM |
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