Edward MacDowell, James Barbagallo's 'Woodland Sketches, Op. 51: No. 4: In Autumn' came out on March 2, 1994. With Woodland Sketches, Op. 51: No. 4: In Autumn being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward MacDowell's "Macdowell: Woodland Sketches / Fireside Tales / New England Idyls" album is number 4 out of 34. Based on our statistics, Woodland Sketches, Op. 51: No. 4: In Autumn's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Woodland Sketches, Op. 51: No. 4: In Autumn by Edward MacDowell, James Barbagallo to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Piano Quartet in C Major, Op. 23: I. Allegro comodo | Arthur Foote, James Barbagallo, Da Vinci Quartet | C Major | 1 | 8B | 139 BPM | ||
Sonatine, M. 40: 2. Mouvement de menuet | Maurice Ravel, Martha Argerich | D♭ Major | 0 | 3B | 123 BPM | ||
Sonatine, M. 40: 3. Animé | Maurice Ravel, Martha Argerich | A Major | 0 | 11B | 178 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Eight Concert Etudes, Op. 40: VII. Intermezzo: Allegretto | Nikolai Kapustin, Yeol Eum Son | E♭ Minor | 2 | 2A | 108 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM |
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