"ラヴ・イズ・ヒア・トゥー・ステイ(愛は永遠に続く)" by George Gershwin, Juraj Bartoš, Peter Breiner was released on November 26, 2014. The duration of ラヴ・イズ・ヒア・トゥー・ステイ(愛は永遠に続く) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. ラヴ・イズ・ヒア・トゥー・ステイ(愛は永遠に続く)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 銀盤クラシック オペラ座 to 第九 - for Figure Skating 2014-2015(フィギュアスケート), so we believe that "ラヴ・イズ・ヒア・トゥー・ステイ(愛は永遠に続く)" is a single. Based on our statistics, ラヴ・イズ・ヒア・トゥー・ステイ(愛は永遠に続く)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ラヴ・イズ・ヒア・トゥー・ステイ(愛は永遠に続く) by George Gershwin, Juraj Bartoš, Peter Breiner is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fascinatin' Rhythm: I've Got Rhythm | Leon Bates, George Gershwin | D♭ Major | 2 | 3B | 175 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
Langsamer Satz | Anton Webern, Novus Quartet | E♭ Major | 1 | 5B | 90 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM |
Section: 0.6440489292144775
End: 0.6470117568969727