Anton Arensky, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk, Stephen Coombs's 'Piano Concerto in F Minor, Op. 2: II. Andante con moto' came out on January 1, 1993. Since Piano Concerto in F Minor, Op. 2: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Arensky & Bortkiewicz: Piano Concertos (Hyperion Romantic Piano Concerto 4) by Stephen Coombs, Anton Arensky, BBC Scottish Symphony Orchestra, Sergei Bortkiewicz, Jerzy Maksymiuk. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Piano Concerto in F Minor, Op. 2: II. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto in F Minor, Op. 2: II. Andante con moto by Anton Arensky, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk, Stephen Coombs is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Sonata For Violin And Piano No.5 In F, Op.24 - "Spring": 2. Adagio molto espressivo | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | B♭ Major | 0 | 6B | 77 BPM | ||
4 Improvisations: Improvisation No. 3 in B-Flat Minor | Anton Arensky, Sergei Rachmaninoff, Sergei Taneyev, Alexander Glazunov, Joseph Banowetz | B♭ Minor | 2 | 3A | 133 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM |
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