Joseph Haydn, Michael Thompson, Philharmonia Orchestra made "Horn Concerto No. 1 in D Major, Hob. VIId:3: I. Allegro" available on January 1, 1983. Horn Concerto No. 1 in D Major, Hob. VIId:3: I. Allegro is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Various Artists's "Haydn: Trumpet and Horn Concertos" album is number 4 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Horn Concerto No. 1 in D Major, Hob. VIId:3: I. Allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Horn Concerto No. 1 in D Major, Hob. VIId:3: I. Allegro by Joseph Haydn, Michael Thompson, Philharmonia Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Spängler-Menuett I | Leopold Mozart, Bankhaus Spängler | D Major | 1 | 10B | 65 BPM | ||
Quartet No. 1: II. Lento | Jacques Georges Charles Duvernoy, Italian Classical Consort, Luigi Magistrelli | B♭ Major | 0 | 6B | 99 BPM | ||
Flute Concerto in D Major: II. Adagio, piano sempre | Baldassare Galuppi, Giorgio Bernabo, Estro Armonico Orchestra, L', Ezio Mabilia | C Major | 1 | 8B | 93 BPM | ||
Oboe Concerto in C minor, TWV 51:c1: 2. Allegro | Georg Philipp Telemann, Heinz Holliger, Academy of St. Martin in the Fields, Iona Brown | B♭ Major | 2 | 6B | 123 BPM | ||
Suite N1. Giga II | Orquesta De Camara De Budapest | G Major | 2 | 9B | 92 BPM | ||
Mairseail Righ Lir (King Lir's March) | Patrick Cassidy | G Minor | 1 | 6A | 114 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob. I.105: I. Allegro | Joseph Haydn, Gregory Ahss, Konstantin Pfiz, Lucas Macias Navarro, Guilhaume Santana, Claudio Abbado, Orchestra Mozart | B♭ Major | 1 | 6B | 124 BPM | ||
Overture in F Major, Op. 8, No. 3: III. Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | F Major | 1 | 7B | 168 BPM |
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