"Oboe Concerto in C Major, K. 314: II. Adagio non troppo" by Wolfgang Amadeus Mozart, Neil Black, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1973. Since Oboe Concerto in C Major, K. 314: II. Adagio non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Jack Brymer, Neil Black, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Clarinet Concerto / Oboe Concerto" album is number 5 out of 6. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Oboe Concerto in C Major, K. 314: II. Adagio non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto in C Major, K. 314: II. Adagio non troppo by Wolfgang Amadeus Mozart, Neil Black, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenata notturna in D Major, K. 239: III. Rondeau (Allegretto - Adagio - Allegro) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 126 BPM |
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