- BPM
- 128
- Key
- C Major
- Camelot
- 8B
A Prayer of King Henry VI - Henry Ley, Choir of King's College, Cambridge, Stephen Cleobury Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 3%
- Instrumentalness
- 19%
- Liveness
- 11%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -30.275 dB
Summary
"A Prayer of King Henry VI" by Henry Ley, Choir of King's College, Cambridge, Stephen Cleobury was released on September 13, 2019. With A Prayer of King Henry VI being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 16 in Evensong Live 2019: Anthems and Canticles by Stephen Cleobury, Choir of King's College, Cambridge. Based on our statistics, A Prayer of King Henry VI's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
A Prayer of King Henry VI BPM
The tempo marking of A Prayer of King Henry VI by Henry Ley, Choir of King's College, Cambridge, Stephen Cleobury is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
A Prayer of King Henry VI Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM | |
 | Come Holy Ghost | Thomas Attwood, Choir of Clare College, Cambridge, Timothy Brown | F Major | 0 | 7B | 132 BPM | |
 | Magnificat in E Major | Herbert Murrill, Rochester Cathedral Choir, William Whitehead, Roger Sayer | A Minor | 1 | 8A | 105 BPM | |
 | Second Antiphon - Arch. Matthew | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | G Major | 1 | 9B | 90 BPM | |
 | Considering Matthew Shepard: Passion, 29. Pilgrimage | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 96 BPM | |
 | Aesop's Fables: No. 3. The Fox and the Grapes | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | F Major | 0 | 7B | 65 BPM | |
 | Brother James's Air | London Philharmonic Choir | D Major | 1 | 10B | 64 BPM | |
 | My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | |
 | When All Thy Mercies | The Guilford Cathedral Choir | A♭ Major | 2 | 4B | 85 BPM | |
 | Evening Hymn of King Charles I | Henry Ley, The Chapel Choir of Royal Holloway University, Lionel Pike | E Minor | 1 | 9A | 137 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8647198677062988
End: 0.8691117763519287