"Sonata No. 3 in G: II. Grave" by Giovanni Battista Bassani, Ensemble StilModerno was released on December 11, 2012. The duration of Sonata No. 3 in G: II. Grave is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Sonata No. 3 in G: II. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. Based on our statistics, Sonata No. 3 in G: II. Grave's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 3 in G: II. Grave by Giovanni Battista Bassani, Ensemble StilModerno is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 12 in A: II. Allegro | Giovanni Battista Bassani, Ensemble StilModerno | A♭ Minor | 1 | 1A | 125 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Vieni a' regni del riposo" (Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Stabat Mater in F Minor, RV 621: No. 3., O quam tristis | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
English Suite No. 6 in D Minor, BWV 811: IV. Sarabande - Double | Johann Sebastian Bach, Benjamin Alard | D Minor | 2 | 7A | 110 BPM | ||
Sonata a tre in sol minore: II. Adagio | Giovanni Maria Bononcini, Musica Antiqua Latina | F♯ Minor | 1 | 11A | 111 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: I. Exaudiat te Dominus in die tribulationis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
Auf Christi Himmelfahrt allein, BWV 128: V. Chorus "Alsdenn so wirst du mich" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | F♯ Major | 2 | 2B | 137 BPM |
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