On January 1, 1982, the song "Suite: Battaglia" was released by Samuel Scheidt, The London Gabrieli Brass Ensemble. With Suite: Battaglia being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "The Baroque Brass Collection". In this album, this song's track order is #11. The popularity of Suite: Battaglia is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite: Battaglia by Samuel Scheidt, The London Gabrieli Brass Ensemble having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746 | Henry Purcell, Chelys Consort of Viols, Emily Ashton | F♯ Minor | 1 | 11A | 108 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Missa ex B: III. Gratias agimus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 72 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | D Major | 1 | 10B | 99 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Rappresentatione di Anima e di Corpo (Representation of Soul and Body): Prologue | Emilio de' Cavalieri, Rosita Frisani, Marinella Pennicchi, Patrizia Vaccari, Alessandro Carmignani, Giovanni Pentasuglia, Michel Van Goethem, Alessandro Casari, Gian Luigi Maria Ghiringhelli, Roberto Abbondanza, Carlo Lepore, Marcello Vargetto, Gastone Sarti, Prague Philharmonic Children's Choir, San Petronio Cappella Musicale Orchestra, Sergio Vartolo | D Major | 1 | 10B | 105 BPM |
Section: 1.1199281215667725
End: 1.1243226528167725