"Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": II. Abwesenheit. Andante espressivo" by Friedrich Gulda was released on June 16, 2022. The duration of Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": II. Abwesenheit. Andante espressivo is about 3 minutes long, at 3:17. Based on our data, "Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": II. Abwesenheit. Andante espressivo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 38 in the song's album "Peaceful Piano 2022". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Austria. Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": II. Abwesenheit. Andante espressivo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": II. Abwesenheit. Andante espressivo by Friedrich Gulda having a BPM of 57 with a half-time of 28 BPM and a double-time of 114 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in F Major, KV332: II. Adagio | Ingrid Haebler | B♭ Major | 0 | 6B | 73 BPM | ||
Aria - (Solo Version) | Friedrich Gulda | D Major | 1 | 10B | 99 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Sonatine: I. Entrée | Friedrich Gulda, Martin David Jones | D Minor | 2 | 7A | 103 BPM | ||
8 Fantasiestücke, Op. 12: 4. Grillen | Robert Schumann, Friedrich Gulda | D♭ Major | 1 | 3B | 70 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major: Allegro poco moderato | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Pièce pour le Vêtement du blessé "Page d'album", CD 141 | Claude Debussy, Steven Osborne | A♭ Major | 0 | 4B | 69 BPM |
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